: Likeness and Presence: A History of the Image before the Era of Art (): Hans Belting, Edmund Jephcott: Books. HANS BELTING LIKENESS AND PRESENCE A History of the Image before the Era of Art Translated by Edmund ]ephcott The University of Chicago Press. Were Hans Belting known by future generations of historians, art historians and specialists, only for this book, his reputation would be secure. In its scope, its.
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Likeness and Presence
Return to Book Page. Preview — Likeness and Presence by Hans Belting. Before the Renaissance and Reformation, holy images were treated not as “art” but as objects of veneration which possessed the tangible presence of the Holy.
In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play Before the Renaissance and Reformation, holy images were treated not as “art” but as objects of veneration which possessed the tangible presence of the Holy. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people lileness and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history.
One of the most intellectually exciting and historically grounded interpretations of Christian iconography.
An impressively detailed contextual analysis of medieval objects. It is a work that anyone interested in art, or in the history of thought about art, should regard as urgent reading.
It is a tremendous anx. Hardcoverpages. To see what your friends thought preaence this book, please sign up. To ask other readers questions about Likeness and Presenceplease sign up. Be the first to ask a question about Likeness and Presence. Lists with This Book. This book focuses on the history of the image in art.
Likeness and Presence: A History of the Image before the Era of Art by Hans Belting
Byzantine art is an important part likeneds this and one of the best sources for viewing the influence of Byzantine art is in lresence sacred mosaics of Ravenna Italy. They are the finest outside Istanbul. A thriving seaport in ancient times it now lies five miles inlandRavenna rose to power in the 1st century BC under the Emperor Augustus.
The Roman emperor built a port and naval base at nearby Classe, which is currently undergoing archaeological e This book focuses on the history of the image in art. The Roman emperor built a port and naval base at nearby Classe, which is currently undergoing archaeological excavation. The town converted to Christianity very early, in the 2nd century Anv. The following century it came under the rule of Thedoric and the Arian Ostrogoths, and in the city became part of the Byzantine betling under Justinian.
Ravenna’s exquisite early Christian mosaics span the years of Roman, Ostrogothic and Byzantine rule. Today, Ravenna is a very pleasant town of aboutIt looks much like any other Italian city at first glance, with old streets, fine shops and peaceful squares, but the Byzantine domes of its churches still evoke its Eastern heritage.
Ravenna’s early Christian churches and mosaics have been collectively designated a World Heritage Site. With the fall of Constantinople and the Byzantine Empire likenfss the Ottoman Turks in some of the artists fled to Crete and established a Greek artist colony.
LIKENESS AND PRESENCE. HANS BELTING. | María José Méndez –
It is in his early work that the influence of icons is most evident, but it can pgesence seen in his large-scale masterpieces produced in Spain later in his career. For more than two centuries Byzantine art was out of favor, primarily as a result of the Reformation, but in mid-nineteenth century France artists rediscovered Byzantine art and the Orient in general as can be seen in the work of Gustave Moreau and Jean Renoir.
This influence spread throughout Europe and can be seen in the works of such diverse artists as Gustave Klimt Austria, —and Theodore Ralli Greece, — The influence grew into the twentieth century, particularly through the interest and work of Henri Matisse.
The interest in Byzantine art has continued to grow and the field today includes scholars, best exemplified by the work of Hans Belting on the history of the Image, interested in a multitude of aspects of this classic tradition that had its roots in Rome and Egypt.
Jan 10, Sam Ruddick rated it really liked it. Apr 27, Jessica Zu rated it really liked it Shelves: Only read relevant chapters for my hand. I will definitely revisit this book in the future. Aug 22, Deb Lavelle rated it it was amd. Anyone seriously interested in art should read this book. Apr 18, Egor Sofronov rated it liked znd. Fact after fact, datum after datum: Although unavoidable to induce ultimate llkeness, this dense, heavy volume is unbelievably kaleidoscopic. Lkeness collection of essays exploring the origins of Christian icons hanw the political and social maelstrom of late antique Rome and early Byzantium.
Very enlightening to this non-art historian. Nov 13, Rachel rated it really liked it. This book literally changed my life. Oct 01, Kerry rated it it was amazing. Andrew rated it it was amazing Sep 22, Tully rated it it was amazing Jul 28, Deirdre rated it it was ok Feb 11, Desert rated it it was amazing Jan 06, Jessica rated it really liked it Dec 30, Leonard Houx rated it really liked it Mar 06, Jen Wood rated it it was amazing Jun 03, Hannah Shafer rated it it was amazing Jun 03, Tiago Presencs Clariano rated it really liked it Oct 31, presrnce Esperanca rated it it was amazing Oct 06, Ribasjoao rated it really liked it Jan 02, Annemarie rated it it was amazing Aug 24, Cate Rivers rated it really liked it Feb 11, Kristina rated it it was amazing Apr 02, Danijela rated it really liked it Feb 13, EunHye rated it it was amazing Dec 27, Crystal rated it it was amazing Dec 05, Tanveer Ajsi rated it liked it Feb 09, Jakovdj rated it it was amazing Mar 29, Clinton Stockwell rated it really liked it Jul 23, There are no discussion topics on this book yet.
Hans Belting is a German art historian and theorist of medieval and Renaissance art, as well as contemporary art and image theory. He was born in Andernach, Germany, and studied at the universities of Mainz and Rome, and took his doctorate in art history anf the University of Mainz.
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